Things designers take for granted
 


 Home
 Design Management
 Observations
  
2006
 
Read this: Riding the Flux
You get what you pay for
The challenges of running a business
Design Excursions - Where do they get off?
Design and Innovation
  
2005
 
Developing design as a profession
  
2004
 
Australian design - alive and kicking
Creativity vs formal systems and processes
A Conversation about Design Culture: One Plus One Equals Three
Strategic scenarios for graphic designers
here is the designer...
Looking beyond the title
Things to think about at the beginning of the year
After Graduation: The Real Reality Show
  
2003
 
Play for keeps, not for points
Defining design for clients
Finding a new label
Advertising in Amsterdam
Why are fees so important for designers?
It's time we got respect - linked article
Return on Creative
Linked article - Designers: Time for Change
Marketing Public Relations Tactics and Programs
The business of communication
Why Australian graphic design should be promoted
  
2002
 
A 'Perfect' Exit
Asia, the new West
What is a consulting firm worth?
The world is going virtual
The Iceberg Secret, Revealed
Experience?
Why do I believe in AGDA?
Simplicity!?
Competitive Cycles
Locals vs Globals
Of Next Big Things
Read this: The End of Wacky Names
  
2001
 
Globals vs locals
It's tough finding work right now - why?
Slovene Design
Business as lottery
Questioning Creativity
Brain Food
Be Careful of What You Wish For...
Style vs Design
  
2000
 
The Trick Question
If you do it - charge for it!
Read this!
  
1999
 
Skilling up for the business of design
The role or influence of design
Learn to Unlearn...
The designer's dilemma
Read this
Questions from non-designers
Business models for studios
  
1998
 
The bad old days are back!
Who is buying web studios?
Looking for a business manager?
Things to think about (maybe...)
More on Swedish Design
Heja Sverige
  
1997
 
Labels, Icons and Other Sins
The Invisible Hand?!
Death of the Designer
Strategic Design
Who should manage the client?
What they want...
Clients or projects?
You are not alone
So how're you doin'?
Climbing the ladder
Value-added and other buzzwords
I have seen the future,
Questions, questions...
Big White Boards
I want to be free!
  
1996
 
Competitive advantage for designers
Competitive advantage, Part 2
A Designer's Life
Client base strategy
Designers are special...
It's a funny thing about designers...
Marketing 101
Marketing 102
Networking for Designers
Pricing of Design Services
Retainers and Other Forms of Payment
Things designers take for granted
We all know design is important, but why?
We're here to solve a problem
When you're asked for artwork files

Joining AGDA
Member Services
Contact AGDA
 
FAQ



by Andrew Lam-Po-Tang

Discuss further in the
Member's Forums
Every studio I've ever been into has had a sizeable library, usually 50-100 books worth, at least. Have you ever stopped to explain that to your clients?

There you are with a sizeable and expensive library, say $5K - $10K minimum, of design books from around the world that is probably updated with new additions every month or so (because we're all suckers for a good new book). That's the kind of reference library any professional should be proud of, regardless of their field.

It's the kind of professional resource that you should let your clients know about. It doesn't need a big gesture, but slipping it somewhere into the conversation should remind that client that they are dealing with a professional who takes their job seriously enough to have that kind of an investment and keep it up to date.

And that library gets used every day!

Most designers at the very least will pour through several volumes just to get a good sense of the range of design idioms that may have been used with that type of project. "Stealing ideas!" some of you say, but realistically it's hard to "break the rules" unless you know what the rules look like, right?

Reference books are also vital to stay abreast of current trends. Again, this is so much about following fashion as it is being aware of it. Some of you with trendier clients may actually need to understand the most current, "now" design idiom because the product, service or company positioning demands it. For others, it is simply a case of knowing where the vast visual language that is graphic design is going.

All of this buying of books and looking at them is "design research." It may not feel like it at the time, but that doesn't make it any less valuable for your clients.

It's just another one of those things that designers' love doing and often forget to tell their clients about. I think you should tell them about it - hopefully, it will increase their respect for you as a professional.


Feedback by Kylie Christiansen  Tuesday, 20 February 2001
"I totally agree! I have found the perfect book for designers to give as a pressie to their clients. Called Beautiful Corporations, this book will give the 'no idea' client a brief and interesting read, and really shows that corporate identity should be really thought about and clients should listen to their designers!!

Please call Pearson Education to order this book. It's the best book ever on Corporate Identity and a bargain at $65.70. Phone 02 9454 2302 Fax 02 9453 0117 or e-mail direct@pearsoned.com.au."

 


Your Email Address    
Your Name  
   

Return to Observations

AGDA Members: Discuss this article in AGDA's Business Forum.


The views expressed this article are not necessarily those of AGDA. Please note that the information in this article is the opinion of the author only. I can therefore accept no responsibility for actions taken on the basis of this information. Copyright Andrew Lam-Po-Tang (andrew@lam-po-tangcom), 1998-2008. Permission is granted to freely copy this document in electronic form, or to print, for personal use. Reprinting for non-personal use will require the express permission of the author (which I will generally be very happy to give).