Questions from non-designers
 


 Home
 Design Management
 Observations
  
2006
 
Read this: Riding the Flux
You get what you pay for
The challenges of running a business
Design Excursions - Where do they get off?
Design and Innovation
  
2005
 
Developing design as a profession
  
2004
 
Australian design - alive and kicking
Creativity vs formal systems and processes
A Conversation about Design Culture: One Plus One Equals Three
Strategic scenarios for graphic designers
here is the designer...
Looking beyond the title
Things to think about at the beginning of the year
After Graduation: The Real Reality Show
  
2003
 
Play for keeps, not for points
Defining design for clients
Finding a new label
Advertising in Amsterdam
Why are fees so important for designers?
It's time we got respect - linked article
Return on Creative
Linked article - Designers: Time for Change
Marketing Public Relations Tactics and Programs
The business of communication
Why Australian graphic design should be promoted
  
2002
 
A 'Perfect' Exit
Asia, the new West
What is a consulting firm worth?
The world is going virtual
The Iceberg Secret, Revealed
Experience?
Why do I believe in AGDA?
Simplicity!?
Competitive Cycles
Locals vs Globals
Of Next Big Things
Read this: The End of Wacky Names
  
2001
 
Globals vs locals
It's tough finding work right now - why?
Slovene Design
Business as lottery
Questioning Creativity
Brain Food
Be Careful of What You Wish For...
Style vs Design
  
2000
 
The Trick Question
If you do it - charge for it!
Read this!
  
1999
 
Skilling up for the business of design
The role or influence of design
Learn to Unlearn...
The designer's dilemma
Read this
Questions from non-designers
Business models for studios
  
1998
 
The bad old days are back!
Who is buying web studios?
Looking for a business manager?
Things to think about (maybe...)
More on Swedish Design
Heja Sverige
  
1997
 
Labels, Icons and Other Sins
The Invisible Hand?!
Death of the Designer
Strategic Design
Who should manage the client?
What they want...
Clients or projects?
You are not alone
So how're you doin'?
Climbing the ladder
Value-added and other buzzwords
I have seen the future,
Questions, questions...
Big White Boards
I want to be free!
  
1996
 
Competitive advantage for designers
Competitive advantage, Part 2
A Designer's Life
Client base strategy
Designers are special...
It's a funny thing about designers...
Marketing 101
Marketing 102
Networking for Designers
Pricing of Design Services
Retainers and Other Forms of Payment
Things designers take for granted
We all know design is important, but why?
We're here to solve a problem
When you're asked for artwork files

Joining AGDA
Member Services
Contact AGDA
 
FAQ



by Andrew Lam-Po-Tang

Discuss further in the
Member's Forums
Every now and then I receive queries from non-designers wanting to enter graphic design. What follows is one such inquiry, from someone investigating their entry options - I have included my responses in case you're wondering how I answer these queries (original questions are prefaced with a ">", context comments of mine in square brackets).

My first reaction is to say, "Don't do it!! Oh the frustration, disappointment and generally mediocre income," but then I admit that I am overlooking the joy and satisfaction (not to mention decent money if you can manage the career/business thing well).

I chuckled to myself imagining how incensed some designers might get with some of the questions (eg. what is the difference between DTP and design?) but I think the real issue here is that the lack of awareness is very real, and that as an industry we need to be patient and committed to helping people understand what designers do so that in the long run, designers are widely regarded in Australia as a true and distinct profession. How would you answer these questions?

> 1. What are the minimum qualifications for membership of your Association?

There are no minimum educational qualifications (yet) as many of our current leading designers "made it" before degree or certificate courses became the standard entry path - so basically anyone can join provided they can get a nominating member (the easiest way to do this is as a student, or come to one of our functions and meet some practising members)

> 2. Can I become a Student Member if enrolled in any of these courses [several TAFE course listed]? -

Yes

> My other option is to start some other business and study at nights for a formal qualification.

If you want to be a technician (eg. desktop publisher) then doing a course part-time is fine, but I think you would find it would be quite difficult to get right into the role of a creative designer when you have outside commercial interests to address - my bet is full time is best if you can afford it, second-best is working in a design studio and studying part-time.

> 3. What is your definition of where Desktop Publishing stops and Graphic Design starts?

Good question, but difficult to answer succinctly - here goes... DTP is essentially a technician service: client instructs DTPer, who adds relatively little in the way of creative content - the briefs tend to be extremely prescriptive (eg. I want a letterhead with this type of lettering here and here). Design is a more creative and collaborative process, generally the brief tends to focus around the communication or business problem (eg. I need to portray this image to my target market, not clear whether I need a new logo or just a new brochure/website). At the high end of the game, designers get paid more, but on average it wouldn't surprise me if the middle-of-the-roaders made the same as DTPers.

> 4. What are the limitations on me just using the software available and setting myself up as a desktop publisher using clip-art or other non-copyright graphic material? I feel that with the software available, I can produce acceptable original graphic material right now.

No real limitations, but I would challenge the notion of "acceptable original graphic material" as it implies a very narrow definition of what "graphic" is, ie. the final visual thingie. The fundamental role of a designer is not to come up with the visual thingie (although this is clearly part of the final output), but to work out what visual elements make most sense for the client, given their type of business, target audiences/markets, key messages, brand positioning and overall budget - this is more involved than picking out something fun or novel looking.

> 5. Is Apple/Mac with Quark / Photoshop really the only way to go?

No, but you'll find practically all pros use Mac because it has the best range of design-specific software and is almost bullet-proof as far as the interface goes. The bullet-proof bit is important because one of the critical constraints in a studio is designer time, and anything that saves them time is worth good money.

Finally, given your background [engineering professional with 20 yrs experience] I think you really have two choices:
1. A home-based "retirement" business that is not too taxing -> DTP
2. A home-based business that is challenging and creative -> Graphic Design

Either option will generate cash, and be a whole lot looser than engineering, but it really depends on whether you are looking for a cash businesses or something fundamentally different to do. I am biased (of course) but I reckon "real" design is more fun.

I would strongly urge you to go to a couple of our seminars to meet some people and get a better sense of what they do.

Regards,

Andrew Lam-Po-Tang
AGDA Website Editor
AGDA National Treasurer


Your Email Address    
Your Name  
   

Return to Observations

AGDA Members: Discuss this article in AGDA's Business Forum.


The views expressed this article are not necessarily those of AGDA. Please note that the information in this article is the opinion of the author only. I can therefore accept no responsibility for actions taken on the basis of this information. Copyright Andrew Lam-Po-Tang (andrew@lam-po-tangcom), 1998-2008. Permission is granted to freely copy this document in electronic form, or to print, for personal use. Reprinting for non-personal use will require the express permission of the author (which I will generally be very happy to give).