Style vs Design
 


 Home
 Design Management
 Observations
  
2006
 
Read this: Riding the Flux
You get what you pay for
The challenges of running a business
Design Excursions - Where do they get off?
Design and Innovation
  
2005
 
Developing design as a profession
  
2004
 
Australian design - alive and kicking
Creativity vs formal systems and processes
A Conversation about Design Culture: One Plus One Equals Three
Strategic scenarios for graphic designers
here is the designer...
Looking beyond the title
Things to think about at the beginning of the year
After Graduation: The Real Reality Show
  
2003
 
Play for keeps, not for points
Defining design for clients
Finding a new label
Advertising in Amsterdam
Why are fees so important for designers?
It's time we got respect - linked article
Return on Creative
Linked article - Designers: Time for Change
Marketing Public Relations Tactics and Programs
The business of communication
Why Australian graphic design should be promoted
  
2002
 
A 'Perfect' Exit
Asia, the new West
What is a consulting firm worth?
The world is going virtual
The Iceberg Secret, Revealed
Experience?
Why do I believe in AGDA?
Simplicity!?
Competitive Cycles
Locals vs Globals
Of Next Big Things
Read this: The End of Wacky Names
  
2001
 
Globals vs locals
It's tough finding work right now - why?
Slovene Design
Business as lottery
Questioning Creativity
Brain Food
Be Careful of What You Wish For...
Style vs Design
  
2000
 
The Trick Question
If you do it - charge for it!
Read this!
  
1999
 
Skilling up for the business of design
The role or influence of design
Learn to Unlearn...
The designer's dilemma
Read this
Questions from non-designers
Business models for studios
  
1998
 
The bad old days are back!
Who is buying web studios?
Looking for a business manager?
Things to think about (maybe...)
More on Swedish Design
Heja Sverige
  
1997
 
Labels, Icons and Other Sins
The Invisible Hand?!
Death of the Designer
Strategic Design
Who should manage the client?
What they want...
Clients or projects?
You are not alone
So how're you doin'?
Climbing the ladder
Value-added and other buzzwords
I have seen the future,
Questions, questions...
Big White Boards
I want to be free!
  
1996
 
Competitive advantage for designers
Competitive advantage, Part 2
A Designer's Life
Client base strategy
Designers are special...
It's a funny thing about designers...
Marketing 101
Marketing 102
Networking for Designers
Pricing of Design Services
Retainers and Other Forms of Payment
Things designers take for granted
We all know design is important, but why?
We're here to solve a problem
When you're asked for artwork files

Joining AGDA
Member Services
Contact AGDA
 
FAQ



Discuss further in the
Member's Forums
"...Many young Web designers - and let's face it, most Web designers are under 30 - view their craft the way I used to view pop culture. It's cool or it's crap. They mistake Style for Design, when the two things are not the same at all."

http://www.adobe.com/web/features/zeldman20000821/main.html

Note: Alternate link

Spotted by Robert Black


Feedback by David Jones  Thursday, 6 March 2003
"Surely design in its essence is mearly what the creator captivates it be? - Websites need to be based around there target audience and only that should hold them back?! "the web is a blank canvas" ... True, yet one would not draw a detailed lanscape picture for a bright childrens book.. It is the target audience which should decide the content/design."
 


Feedback by nigel  Thursday, 6 March 2003
"Form always follows function, in Bauhaus tradition. Design is about communicating an idea not merely self expression"
 


Feedback by sam chard  Monday, 26 March 2001
"It is symptomatic I think, of a bigger picture an environment where designers (in a professional and education environment) are not looking at a clients communication "needs".

Briefs are always prefaced with "We need a brochure/booklet/directmail/website" and designers forget to ask why -"why do you want a brochure" - what is it meant to be doing.

I think this comes from strong corporate marketing departments, where clients are developing their communication strategies in-house and relying less on agencies but it is a poor excuse for designers and a tragedy that in the education environments the brief is to produce a specific object rather than to solve a communications problem.

(AGDA's design management document should be compulsory reading)

AGDA material on design management in general:

  • AGDA/ISS Fellowship Report: Design Management
    And for AGDA members only:
  • Design Management Practice Note
  •  


    Feedback by michael  Wednesday, 31 January 2001
    "I've run into this topic before but in the field of music. Musicians discussing when the use of technique is overkill. Is it technique for the sake of technique, or does it serve its purpose by enhancing the song? Do you blow your wad to impress because you can, or do you hold it in reserve and let it out at a more appropriate moment?

    I agree that we should embrace new web technologies. But we need to understand what they do and what their limitations are when it comes to incorporating them in the DESIGN of a site. There are a large palette of web tools at our disposal and a huge empty canvas. But do we use it all or carefully pick and choose based on a given design?

    Does a corporate site need to be completely redone in Flash just because Flash exists? Or even include flash at all? Do sites constantly need to be the raddest thing out there?

    Why isn't the use of video incorporated more as a 'technique' on sites? I think obviously because it's not as fun, takes longer for the user to download, and isn't as interactive and Flashy.

    Deciding what technology is best used where, and how the site is best served by incorporating or NOT incorporating a given web technology should be part of design. Know what to use and when. And base it on the content and it's ultimate destination, the user, not on the fact that you know all the latest techniques and now have a chance to make the site look cooler than anything out there.

    What you like to use and how you go about implementing it is a function of your personal style. If you're not thinking about how best to achieve a given result you're not designing. If all you're thinking is how best can 'I' use this cool effect or technique, you're doing nothing but styling, and you're not serving the project at hand, just feeding your ego.

     


    Feedback by nick runco  Wednesday, 31 January 2001
    "i enjoyed the column that zeldman wrote, it was very accurate. i read zeldman.com every day and i don't check many web pages routinely. if he had flash all over it, it would get annoying. if it was loaded with collages and pop-up windows i wouldn't care. i go back because he has very interesting, well-thought out ideas to present. this is known as content. content is why his page is successful. Mark McAleer tried to label the roll-overs on zeldman's page as useless and hypocritical. no, they are a simple navigational tool that help people understand the environment. i'm glad you are under 35 and consider yourself on the cutting edge, but i doubt you work for one of those companies that you speak so highly of, because you lack an understanding of communcation and design. if you are making serious work with "wowing" than you aren't saying anything and nobody will listen.

    oh, and i'm 22, with an art education. so you can blow the "too old for this medium" theory good-bye.

     


    Feedback by Jeremy Keith  Tuesday, 30 January 2001
    "I think Jeffrey Zeldman has put into words something that I've always wanted to articulate.

    His basic point, that when most people talk web design they're really talking web style, is very true and it seems to be something endemic (if not quite confined) to the web.

    Designers in other industries (furniture, appliances, architecture) would never call themselves designers if they were only capable of making something that looked very cool. It has to be functional too. No real-world designer would present a design for, say, a toaster, that only concentrated on how it looked with no thought for whether or not a piece of toast could fit in it.

    I am shocked every time I come across a so-called web designer who can make the most beautiful looking page layouts in photoshop but has no idea how, or even if, these designs can be transfered to the web.

    In any field of design a designer most be familiar with his or her materials, tools and audience. If you design plastic objects, you are expected to know the properties of plastic, its limitations and advantages. It should be the same for web design. If you are planning on making a cool, usable web site then you must know about coolness, usability and the web. Knowledge of one won't make up for ignorance in the other.

    It's an absolutely ludicrous situation that in the field of web design, style and usability are treated as polar opposites. Only someone who is an expert in both fields (and who knows their material, HTML, inside out) can truly be considered a designer.

     


    Feedback by Stephen Van Doren  Tuesday, 30 January 2001
    "I think the message needs to truly be thus: the middleground is more important than the extremes. Nielson is wrong, so is Kioken. The happy medium is the place where we have to sit and design.

    Okay, maybe just a step above the happy medium. That way, forward momentum can continue to carry us. That's kinda important when it comes to a technology such as the web.

    So, Zeldman is mostly right as he often is. Look at web safe colors! 216? No one really uses those anymore at all. So, a step has been taken.

     


    Feedback by SV  Tuesday, 30 January 2001
    "True, there is a huge difference between style and design and yes I believe many web and print artists mistake one for the other. However in lots of cases an interesting style can produce good design.
     


    Feedback by Mark McAleer  Monday, 29 January 2001
    "I have taken a look at your web site Mr Zeldman. And I'm glad that you are a consultant because you shore can only type a 2 page column. At the look of your web page.

    I think it's very ammusing when I hear some people and especially you, from the older generation go on about web design. Oh young people are taking down the industries reputation.

    When in fact the top web companies are ran by people under 35. And it's the gap in where the arse falls out of your pants when you make comments like yours, because you clearly can't use or think in a way to use the new software in a dynamic and clever medium. Which your web site clearly lacks.

    I have read your article in adobe's column. And I belive that the people who are using wowfull effects are the older generation because they are getting the latest software and seeing they can use a script which makes a logo go around in circles. Just like yourself.

    If i can ask you what made you decide and what was the purpose of designing a buttons that rotated on a rollover state? What has this got to do with a consulting service? Absolutly nothing. So when you and the other critics learn how to use new technologies properly then write an article. Practice what you preach and stick to consulting, Because you are clearly behind the 8 ball when it comes to web design.

    Have another look at your web site and think, with all you corporate knowledge, Is this how a consulting service, should be represented, with spinning rollovers and cheap looking flash.

     


    Feedback by Patrick Bayly  Monday, 29 January 2001
    "I agree that many design studios in Australia are not embracing the web as another area of design. I am interested to see how so called traditional designers are able to use their skills and experience in this new ecconomy.

    I think as problem solvers and creative /logical thinkers we have much to offer this exciting new media. Just as we all had to learn to use computers, we now need to learn new skills in the on-line world or face losing out.

    I am interested to talk further about this topic with anyone who is interested.

     


    Feedback by troy mendham  Thursday, 18 January 2001
    "now is the time for designers who know the difference between style and design to embrace web technologies or be left behind - taking our industry's reputation with them. how many of our top studios actually offer complete web design services?.

    the same considerations required for traditional mediums apply to the internet - unfortunately some designers are ignoring the web and leaving their clients to fend for themselves.

    instead of realising the economic benefits of good design, clients are paying inflated prices for 'cool' websites that do nothing for their business. in the mean time designers are missing the opportunity to add value to their clients' design programs and enforce the integrity of the design profession.

     


    Feedback by David Ansett  Wednesday, 17 January 2001
    "Why single out web designers?

    Isn't this something that as an industry we must take responsibility for? - just take a look at the body of work selected for recognition at last year's National AGDA Awards.

    If we truly wish to mature as an industry we must encourage work that is shit hot, and not work that just looks shit hot.

     


    Feedback by peter kenny  Monday, 8 January 2001
    "Agree with the sentiment wholeheartedly - unfortunately many of today's web designers design on the latest hardware with the latest tools - my opinion is that many are ignorant of the fact that there is a digital divide, and a large proportion of the public do NOT have access to the latest hardware or fast modems. it is a case of less is actually more for joe public.
     


    Your Email Address    
    Your Name  
       

    Return to Observations

    AGDA Members: Discuss this article in AGDA's Business Forum.


    The views expressed this article are not necessarily those of AGDA. Please note that the information in this article is the opinion of the author only. I can therefore accept no responsibility for actions taken on the basis of this information. Copyright Andrew Lam-Po-Tang (andrew@lam-po-tangcom), 1998-2008. Permission is granted to freely copy this document in electronic form, or to print, for personal use. Reprinting for non-personal use will require the express permission of the author (which I will generally be very happy to give).